Plate (piatto): The story of Aeneas 1532 Francesco Xanto Avelli da Rovigo Italian This plate formed part of one of the largest majolica services ever made, commissioned by Piero Maria Pucci (1467–1547), a member of a prominent Florentine family whose coat of arms features the head of a Black man in profile, a reference to their original surname, Saracini (meaning "Saracens"). Similar images had frequently appeared in European heraldry since the thirteenth century. Rooted in the subjugation of Muslims and peoples of Arab and African descent, this imagery often signified triumph in the Crusades
Plate (piatto): The story of Aeneas 1532 Francesco Xanto Avelli da Rovigo Italian This plate formed part of one of the largest majolica services ever made, commissioned by Piero Maria Pucci (1467–1547), a member of a prominent Florentine family whose coat of arms features the head of a Black man in profile, a reference to their original surname, Saracini (meaning "Saracens"). Similar images had frequently appeared in European heraldry since the thirteenth century. Rooted in the subjugation of Muslims and peoples of Arab and African descent, this imagery often signified triumph in the Crusades or involvement in the slave trade. Here, a white band tied around the man’s head is inscribed with three T’s, an acronym for the Pucci family motto: Tempore tempora tempera (Time alleviates all troubles). Thirty-seven pieces from the maiolica service survive (including four in the Lehman Collection: see also ; ; ), all painted in Urbino by the celebrated maiolica painter Francesco Xanto Avelli da Rovigo in 1532 and 1533. Some pieces were sent to Gubbio to be completed with luster decoration under Xanto’s particular plate represents Aeneas and his companions at the tomb of Polydorus, a subject derived from Virgil's Aeneid, Book III. The bleeding bush (painted in red luster) signals the presence of the corpse, while the coat of arms of the Pucci family, on an escutcheon surmounting a standard, identifies the patronage. The Aeneas plate shows Xanto's energetic line and exuberant use of warm colors, often washed into one another—deep oranges and yellows against strong greens and blues. The richly decorated piece is made even more magnificent by the Gubbio Plate (piatto): The story of Aeneas 460204
Size: 1834px × 1842px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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