Programme . ous din of certain instruments, which should dis-tinguish the introduction, will leave the concert with only the disagree-able sensation of exhaustion. The audience was extraordinarilydelighted with the concert as a whole and Klements Fantasia. ** * The first movement of this concerto was played in Boston as earlyas November 22, 1853, by August Fries. The concerto has been played at these Symphony Concerts by LouisSchmidt, Jr., January 5, 1884; Franz Kneisel, October 31, 1885, No-vember 3, 1888, December 30, 1893; Franz Ondricek, December 14,1895; £arl Halir, November 28, 1896; Wil
Programme . ous din of certain instruments, which should dis-tinguish the introduction, will leave the concert with only the disagree-able sensation of exhaustion. The audience was extraordinarilydelighted with the concert as a whole and Klements Fantasia. ** * The first movement of this concerto was played in Boston as earlyas November 22, 1853, by August Fries. The concerto has been played at these Symphony Concerts by LouisSchmidt, Jr., January 5, 1884; Franz Kneisel, October 31, 1885, No-vember 3, 1888, December 30, 1893; Franz Ondricek, December 14,1895; £arl Halir, November 28, 1896; Willy Burmester, December 10,1898; Fritz Kreisler, February 9, 1901; Hugo Heermann, February28, 1903; Olive Mead, February 6, 1904; Willy Hess, January 6, 1906;Anton Witek, October 29, 1910; Fritz Kreisler, November 23, 1912;Anton Witek, November 14, 1915. There have also been performances in Boston by Julius Kichberg(1859), Edward Mollenhauer (1862), Pablo de Sarasate (1889), AdolphBrodsky (1892), and ipQMpJRRIERS^ C. Ed. Kakas, F. Kakas, Treas. Now in Our New Building 72 CHAUNCY STREET, BOSTON Formerly at 179 Tremont Street 346 The Island of the Dead, Symphonic Poem, for Full Orchestra,to the Picture by A. Bocklin, Op. 29. Sergei Vassilievich Rachmaninoff (Born in the government of Novgorod, April 1, 1873; now living.) This symphonic poem was played at Moscow in the season of1908-09, under the direction of the composer. It was played after-ward in Berlin at a concert of the Society of Friends of Music, led byOskar Fried. The first performance in the United States was at aconcert of the Theodore Thomas Orchestra in Chicago, December 3,1909, when the composer conducted. The first performance in Bostonwas at a concert of the Boston Symphony Orchestra, December 18,1909, when the composer conducted. Mr. Fiedler conducted theperformances of February 19, 1910, and April 15, 1911. Die Todteninsel, Symphonische Dichtung zum Gemalde von , is dedicated to Nicola
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
