A lace guide for makers and collectors; with a bibliography and five-language nomenclature, profusely illuswith halftone plates and key designs . Each mesh requires seven pairs. One should always cloth-stitch with thetwo pairs that descend, no matter from which direction they come, before passingor laying them—without cloth-stitching—between the two threads of the pairthat traverses the lace horizontally. A pin should be placed between the twodescending threads under the horizontal pair to sustain the joint and avoidconfusion. Every pair should be twisted once between stitches, except in thece
A lace guide for makers and collectors; with a bibliography and five-language nomenclature, profusely illuswith halftone plates and key designs . Each mesh requires seven pairs. One should always cloth-stitch with thetwo pairs that descend, no matter from which direction they come, before passingor laying them—without cloth-stitching—between the two threads of the pairthat traverses the lace horizontally. A pin should be placed between the twodescending threads under the horizontal pair to sustain the joint and avoidconfusion. Every pair should be twisted once between stitches, except in thecenter of the large open star, where each bar or ray of the star should betwisted twice. ?= —? RULES FOR MAKING D 75 LINE A, COL. 5, Star Mesh, Double Ground, Point de Paris, Point de Six, Eternelle, Point Double, Trenne, Chantilly, Fond Chant, Engelsche Grond, Dentelle de This pretty and durable stitch is made in the same way as that describedunder Line C, Column 5, except that each pair is twisted once before everyencounter, and a pin is placed beneath each cross to support it. The actualstitch is a linen-stitch. ? r -? 76 A LACE GUIDE FOR MAKERS AND COLLECTORS P= =? LINE A, COL. 6,Point du Mariage fait a la Torchon au Demi-Point.
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License: Licensed
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Keywords: ., bo, bookcentury1900, bookdecade1920, booksubjectlaceandlacemaking
