A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century . ri, Storia delV Arte Italiana,vol. v., pp. 63-80 ; Aubert, Zur Lbsung der Cimabue Frage, p. 105. ^ Vasari says Duccio painted an Annunciation in Santa Trinita of Florence. Butno such picture exists (Vasari, ed. Sansoni, i., p. 656). 2 RuMuHR, , Forschungen, ii. note to p. 11. Eight and ten soldi was theprice for each book. Vide ante, Dietisalvi. * RUMOHR, , ii., p. 11. * In 1293 and in 1295 he also painted tavolette. For these and other notices ofDuccio, see Lisini, Notizie di Duccio
A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century . ri, Storia delV Arte Italiana,vol. v., pp. 63-80 ; Aubert, Zur Lbsung der Cimabue Frage, p. 105. ^ Vasari says Duccio painted an Annunciation in Santa Trinita of Florence. Butno such picture exists (Vasari, ed. Sansoni, i., p. 656). 2 RuMuHR, , Forschungen, ii. note to p. 11. Eight and ten soldi was theprice for each book. Vide ante, Dietisalvi. * RUMOHR, , ii., p. 11. * In 1293 and in 1295 he also painted tavolette. For these and other notices ofDuccio, see Lisini, Notizie di Duccio pittore in the BiiUettino Senese, vol. v., 1898,fasc. i., pp. 43, etc. * ^ It has been shown that there are no grounds for the statement that Duccioworked in Cimabues company on the mosaic at Pisa (see vol. i., p. 185). Thecountless authors who have quoted this statement of Morrona have not taken thetrouble to verify the references of this inaccurate writer. ^ Forty-eight livres. See in Rumohr, ,, ii., pp. 11, 12. MiLANEsi, Doc. Sen., , i., p. Ibid., i., p. 170. *8 Not 1310, but
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