International studio . hich immensely enhancedthe importance of London Bridge latter—old London Bridge, that is—figures conspicuously in the views respec-tively by Wijngaerde (c. 1550), Visscher(1616), and Wenceslas Hollar (1647), withwhich the present view deserves to becompared, as also indeed it is well worthyto be accorded a place. 000Aymer Vallance STUDIO-TALK. (From our own Correspondents.) LONDON.—We reproduce on this pagean attractive example of illuminatedlettering by Mr. Ernest F. Beckett, an ac-complished practitioner in this branch of ^T^t* 0 0 0 0 0 0 The recent exhibit
International studio . hich immensely enhancedthe importance of London Bridge latter—old London Bridge, that is—figures conspicuously in the views respec-tively by Wijngaerde (c. 1550), Visscher(1616), and Wenceslas Hollar (1647), withwhich the present view deserves to becompared, as also indeed it is well worthyto be accorded a place. 000Aymer Vallance STUDIO-TALK. (From our own Correspondents.) LONDON.—We reproduce on this pagean attractive example of illuminatedlettering by Mr. Ernest F. Beckett, an ac-complished practitioner in this branch of ^T^t* 0 0 0 0 0 0 The recent exhibition of British Art,i830-i85o,at the WhitechapelArt Gallery,was unfortunately marred by the suddenillness and death of Mr. C. Campbell Ross,who had been associated with this institu-tion almost from its beginning nineteenyears ago, and since the death of Mr. Teed on the field of battle in 1917 hadbeen in sole charge of it. Mr. Ross wasover seventy years of age and his suddendemise appears to have been in some.
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
