Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso), c. 1410-20. This finely preserved leaf with its large miniature is stylistically consistent with the work of the Boethius Illuminator. An unusual and very original painter, he was named after a manuscript copy of the works of the Roman philosopher Boethius (AD 480-524), which he illuminated in 1414. The artist favored bright, sweeping colours and expressionistic compositions. He used tessellated (mosaic-patterned) grounds in his miniatures, as is the case here. The Boethius Illuminator and his assistants partici
Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso), c. 1410-20. This finely preserved leaf with its large miniature is stylistically consistent with the work of the Boethius Illuminator. An unusual and very original painter, he was named after a manuscript copy of the works of the Roman philosopher Boethius (AD 480-524), which he illuminated in 1414. The artist favored bright, sweeping colours and expressionistic compositions. He used tessellated (mosaic-patterned) grounds in his miniatures, as is the case here. The Boethius Illuminator and his assistants participated in the illustration of over a dozen manuscripts between 1414 and 1418/20. It was not unusual for artists working in different styles to collaborate on a single book of hours during the 1400s and 1500s.
Size: 4275px × 5834px
Photo credit: © Heritage Images / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., 1414-20, 15th, ?, active, art, boethius, century, cleveland, flemish, france, gold, heritage, illuminator, ink, manuscript, museum, paris, tempera, vellum
