Modern harmony, its explanation and application . m ^^ ^^r efc. RESOLUTIONS, ELISIONS, AND REGER,, 107. In tHe MacDowell extract, the highest note of the discordin bar two virtually resolves on the E in bar three, whilstthe resolution of the D flat in the Strauss viola part is givento the cellos and double basses. In modern suspensions theharmony frequently changes on the resolution note, a coursesubversive to the principle of the older suspensions. InExample 235 we see a very poetic case of suspended resolutionfrom T. F. Dunhills fine Phantasy-Trio for pianoforte, vi
Modern harmony, its explanation and application . m ^^ ^^r efc. RESOLUTIONS, ELISIONS, AND REGER,, 107. In tHe MacDowell extract, the highest note of the discordin bar two virtually resolves on the E in bar three, whilstthe resolution of the D flat in the Strauss viola part is givento the cellos and double basses. In modern suspensions theharmony frequently changes on the resolution note, a coursesubversive to the principle of the older suspensions. InExample 235 we see a very poetic case of suspended resolutionfrom T. F. Dunhills fine Phantasy-Trio for pianoforte, violin,and cello. Another device is the alteration of one of thenotes in changing to another position of the same chord(see Example 236). MAC-DOWELL, aempiice^ ,N91.
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectharmony, bookyear1915
