. The world's speaker, reciter and entertainer for home, school, church and platform; recitations, readings, plays, drills, tableaux, etc. .. . es of Reading. Now that we have considered the qualifi-cations of a public speaker, let us discussthe different styles of reading and theproper rendition of each. We divide all styles of reading into twogeneral classes—that in which the naturalvoice is used and that in which the Oro-tund voice is employed. i. Styles of Reading in the NaturalVoice. The natural voice is the ordinary talkingvoice, purified of all defects. Great care should be taken to mak
. The world's speaker, reciter and entertainer for home, school, church and platform; recitations, readings, plays, drills, tableaux, etc. .. . es of Reading. Now that we have considered the qualifi-cations of a public speaker, let us discussthe different styles of reading and theproper rendition of each. We divide all styles of reading into twogeneral classes—that in which the naturalvoice is used and that in which the Oro-tund voice is employed. i. Styles of Reading in the NaturalVoice. The natural voice is the ordinary talkingvoice, purified of all defects. Great care should be taken to make thisas clear, distinct and musical as possible,avoiding all nasal or throaty tendencies. a. Pathos. The first style to be mentioned under thisclass is Pathos. In the rendering of Pathos, not only thenatural voice is required, but also theEffusive Utterance, by which we mean thatthe sound must flow from the mouth, notjerkily, but in a continuous stream. Inthe Effusive Utterance the breathing mustbe so even and deep that it is acquire this style, practice on patheticselections, letting yourself be swayed by rejection DELS ARTE TRAINING AND ELOCUTION 57
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