Nishiki-e were a type of multi-coloured woodblock prints from Japan. The technique was primarily used in Ukiyo-e, and was invented in the 1760s. Before, woodblock prints were usually in black-and-white and were coloured either by hand or with the addition of one or two colour ink blocks, but nishiki-e printing changed that. Nishiki-e was credited to an engraver named Kinroku, but it was popularised and perfected by Suzuki Harunobu. Nishiki-e is sometimes also known as Edo-e, and became very popular during the Meiji Period, especially during the first Sino-Japanese War (1894-1895), where over


Nishiki-e were a type of multi-coloured woodblock prints from Japan. The technique was primarily used in Ukiyo-e, and was invented in the 1760s. Before, woodblock prints were usually in black-and-white and were coloured either by hand or with the addition of one or two colour ink blocks, but nishiki-e printing changed that. Nishiki-e was credited to an engraver named Kinroku, but it was popularised and perfected by Suzuki Harunobu. Nishiki-e is sometimes also known as Edo-e, and became very popular during the Meiji Period, especially during the first Sino-Japanese War (1894-1895), where over 3,000 prints were made in the 9-month period.


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Keywords: 1832, art, arts, asia, asian, block, deity, god, goddess, ii, japan, japanese, katsushika, myth, mythology, nishiki-, religion, shinto, shintoism, shintoist, taito, ukiyo-, wood, woodblock