. Hopi Katcinas drawn by native artists. WUKOKOTI. KOHONiNO HELIOTYPE CO., BOSTON. FEWKEs] KATCINAS APPEARING IN POWAJIU 85 These men wear in their hair a number of artilicial flowers, madeof painted corn shucks. The bodies of these men are painted, butotherwise they wear no distinctive dress or paraphernalia. WUKOKOTI (Plate XXIII) This figure of Wuliokoti (Big Head) has a black face withprotruding snout, two lateral horns, and prominent globular artist represents one of two beings who roam through the pueblosin the March festival, hooting wherever they go. It is one of manybeings of
. Hopi Katcinas drawn by native artists. WUKOKOTI. KOHONiNO HELIOTYPE CO., BOSTON. FEWKEs] KATCINAS APPEARING IN POWAJIU 85 These men wear in their hair a number of artilicial flowers, madeof painted corn shucks. The bodies of these men are painted, butotherwise they wear no distinctive dress or paraphernalia. WUKOKOTI (Plate XXIII) This figure of Wuliokoti (Big Head) has a black face withprotruding snout, two lateral horns, and prominent globular artist represents one of two beings who roam through the pueblosin the March festival, hooting wherever they go. It is one of manybeings of the same name who appear in the February and March fes-tivals. The personators carry bundles of sheep scapulae, which in lateyears have been substituted for those of deer. KOHONINO (Plate XXIII) This figure ^ represents a katcina derived from the Havasupai (orKohonino) Indians engaged in animated conversation with a man ofthe same tribe. The mask has a headband, on each side of which is a horn wrappedwith red and black calico. The marks crossing
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Keywords: ., bookauthorfewkesje, bookcentury1900, bookdecade1900, bookyear1904
