. European and Japanese gardens; papers read before the American Institute of Architects .. . 2 Duke Shimazus Garden 133 Ihe Mikados Garden, Tokio 134 Ihe Fukiage Garden i35 (xarden of the Imperial Palace 136 Stone Lanterns, Uyeno i37 Sorinto, Nikko 138 Fukagawa (larden 139 Plate II—Hill Garden ; Intermediary Style 141 Plate III—Hill Garden ; Rough Style 141 Plate IV—Flat Garden; Finished Style 142 Kasuga, Nara 143 Bracket Bridge, Fukagawa Garden 144 A Gentlemans Garden, Bancho 145 Plate V—Flat Garden ; Intermediary Style 146 Plate VI—Flat Garden ; Rough Style 146 Stone Steps, Hakone Temple 14
. European and Japanese gardens; papers read before the American Institute of Architects .. . 2 Duke Shimazus Garden 133 Ihe Mikados Garden, Tokio 134 Ihe Fukiage Garden i35 (xarden of the Imperial Palace 136 Stone Lanterns, Uyeno i37 Sorinto, Nikko 138 Fukagawa (larden 139 Plate II—Hill Garden ; Intermediary Style 141 Plate III—Hill Garden ; Rough Style 141 Plate IV—Flat Garden; Finished Style 142 Kasuga, Nara 143 Bracket Bridge, Fukagawa Garden 144 A Gentlemans Garden, Bancho 145 Plate V—Flat Garden ; Intermediary Style 146 Plate VI—Flat Garden ; Rough Style 146 Stone Steps, Hakone Temple 147 Kunoozan Temple at Shizuoka 148 Plate VII—Garden Lanterns 149 Plate VIII—Water-Basins and Lanterns 149 A Tea-House Garden, Tokio 150 (iarden of the Akasaka Rikiu 152 Plate IX—CJarden Fences 153 Plate X—Garden Gateways 154 Plate XI—Garden Bridges 155 Plate XII—(xarden Arbors 155 A Japanese Garden in California : General View 158 The Entrance 159 Flowers in Pots 160 Inside the Entrance 161 Summer-House and Stream 162 THE ITALIAN FORMAL GARDEN ^V Prof. A. D. F. Hamlin. THE ITALIAN FORMAL GARDEN By A. D. F. HAMLIN ADJUNCT PROFESSOR OF ARCHITECTURE, COLUMBIA UMVERSIIY I. A GARDEN is a portion of the earths surface is subjected to the designers will; trees, grass,flowers and shrubs are made to do his bidding, andan ordered design takes the place of the capricious wildnessof the primitive growth. Gardening, as one of the decorativearts, deals with the materials of the earths surface, and thevegetation and water which diversify and embellish it. In anystyle of gardening the results of the designers labors are, andmust be, artificial, whether he seek to counterfeit the appear-ance of the primitive meadow, forest and thicket, or to arrangehis combinations of earth, rock, plants and water upon somearbitrary and conventional system. The difterent schools ofthe art are distinguished largely by the degree to which theyincline towards one or the other
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectgardens, bookyear1902
