Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . duced (without affectingthe simplicity) by doubling the bass, or playing it in the lower octave, the right hand carryingout the three-part harmony, thus : Example 3. (measure 9.) m While thus played through, the Great and Pedal Organs are supposed to be already following (Example 4) shows the ending as first played through upon the Swell, and thebeginning of the voices (chorus o
Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . duced (without affectingthe simplicity) by doubling the bass, or playing it in the lower octave, the right hand carryingout the three-part harmony, thus : Example 3. (measure 9.) m While thus played through, the Great and Pedal Organs are supposed to be already following (Example 4) shows the ending as first played through upon the Swell, and thebeginning of the voices (chorus or congregation) accompanied on the Great Organ. Beijinning the tune after giving it out. 4. At N. B. it is to benoted that the Great toPedal (Joupler is drawnsimultaneously with tliosecond half note. In thisway the sixteen-foot toneof the Pedals is heardupon tlu first ]iart of the^ ^ ?•? measure, and tlie Imid eight and four feet of the Great Manual on drawing tlie coupler with the lattir half of (liemeasure. This not only serves to mitigate the abruptness of the change from tiie Swell tothe powerfully registered Great Organ, but it also serves as a sort of signal, enabling choir and. ACCOMPANIMENT OF THE CHORALE, OR PLAIN HYMN-TUNE. 15 congregation to begin more promptly together. This occnrs during the time allowed for the•^ (last note of previous examples—compare with No. 4 at *.) The exact reverse of the manner of beginning the tune advocated in Example 4 is some-times heard after the tune has been played over once upon the Swell. Example 5 illustrates 5. Here it is seen that instead of the Pedal entering ^ g»g^ N^ g5gf«., _^_ upon the first half of the second measure, the Great ^^—^^-^F^^-g=F^ j—g—Fg— Organ enters abruptly upon the second half of the Another mannei. Ob- jeciiona to the 8ame. .^_ I eia=^i .^ _ etc. measure with the iipper note of the harmony alone. —g J—-^,—^— This is very objectionable except in the rarest
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Keywords: ., bookcentury1800, bookdecade1880, booksubjectorganmu, bookyear1888
