Titles from Loys Delteil, Le peintre-graveur illustré, v. XIV and v. XV. For some prints Loys Delteil uses the rebiting of the plate to distinguish states, although no rebiting ever occurred according to Tomás Harris, Goya: engravings and lithographs. The binding bears the bookplate of Samuel Putnam Avery. Citation/Reference: [10] Citation/Reference: D211(II/III); La jeune femme emportée par un cheval qui se cabre.

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