International studio . PORTRAIT OF DR. COBRADORICCI. BY ETTORE TITO LXXI. No 283.—September 1920 THE RECENT WORK OF ETTORE TITO. SOLITUDE. BYETTORE TITO the South, its fecundity, its exuberance,its love of colour and joy of life. 0 a At thirteen he was in the VeniceAcademy of Fine Arts, and up to seventeenwas studying under Molmenti. The anec-dotal side of art was then in the mode ;in the Venice Gallery of Modern Art wemay study its expression by young Tito soon found his way outof this convention of taste into the realityand fascination of the actual life of theVenice around him
International studio . PORTRAIT OF DR. COBRADORICCI. BY ETTORE TITO LXXI. No 283.—September 1920 THE RECENT WORK OF ETTORE TITO. SOLITUDE. BYETTORE TITO the South, its fecundity, its exuberance,its love of colour and joy of life. 0 a At thirteen he was in the VeniceAcademy of Fine Arts, and up to seventeenwas studying under Molmenti. The anec-dotal side of art was then in the mode ;in the Venice Gallery of Modern Art wemay study its expression by young Tito soon found his way outof this convention of taste into the realityand fascination of the actual life of theVenice around him ; and in the PescheriaVecchia, exhibited at Venice in 1887, andat once acquired for the Gallery of ModernArt in Rome, he made his definite claim tohis individual place and message in theart of this new Italy, a 0 a a Venice—as Goethe said of Leipzig—forms her own people ; few artists canremain with her long without comingunder the spell of which Fragiacomo, 4 Miti-Zanetti, Beppe Ciardi, De Stefani,Cesare Laurenti, and Ettore Tito, eachin his own way, are exponents. 0 0 Rafaello Barbiera, writing of ProfessorTitos indiv
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