Thematic guide through the music of ParsifalWith a preface upon the legendary material of the Wagnerian drama . XV. 4. Sohmeichelfigni.) I ^ w^ des Gar 48 —. WMle the chorus work ont the melody, the solo toices enterin a longing caressing figur afterwards characteristically em-bellished by triplets of semiquavers; Come, come, ohgentle boy. The solo voices of the second half of themaidens join in, and both choruses combine in the workingont of the fundamental melody in which at last all thevoices ascend together. To make thee joyous and happyonr loving care we give. The Schmeichel figure (
Thematic guide through the music of ParsifalWith a preface upon the legendary material of the Wagnerian drama . XV. 4. Sohmeichelfigni.) I ^ w^ des Gar 48 —. WMle the chorus work ont the melody, the solo toices enterin a longing caressing figur afterwards characteristically em-bellished by triplets of semiquavers; Come, come, ohgentle boy. The solo voices of the second half of themaidens join in, and both choruses combine in the workingont of the fundamental melody in which at last all thevoices ascend together. To make thee joyous and happyonr loving care we give. The Schmeichel figure ()weaves its fragrance closely a round Parsifals simple sweetly you smell! are you then flowers? — Thisfigure also forms the varied fundamental theme of the follo-wing charming song: Pride of the garden and fragrantspirits for solo voices, with which the Kosemelodie inter-mingles in the form of an accompaniment: Finally the chorusjoins in softly; Grudge not the flowers their reward?,also at the wonderfully expressive closing words of thesolists: There we droop and die Here the Schmeicbelfigure, moving like flower leaves gently stirred by
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectwagnerr, bookyear1904
