. Complete school of technic for the pianoforte : including flexibility and independence, scales in all forms, extension, arpeggios in all forms, double notes, octaves and chords, trills, tremolo, glissando. Practice slowly, without any stiffness, with intelligence and reflection. Practice with a perfectly free armand supple hands. Practice with different rhythms, different movements, different attacks and different with patience—and always with patience. (Signed) / 0 ( AU^L^u^h INTRODUCTION. Isidor Philipp is now so well known in pianisticcircles that even a brief account of
. Complete school of technic for the pianoforte : including flexibility and independence, scales in all forms, extension, arpeggios in all forms, double notes, octaves and chords, trills, tremolo, glissando. Practice slowly, without any stiffness, with intelligence and reflection. Practice with a perfectly free armand supple hands. Practice with different rhythms, different movements, different attacks and different with patience—and always with patience. (Signed) / 0 ( AU^L^u^h INTRODUCTION. Isidor Philipp is now so well known in pianisticcircles that even a brief account of his musical careeris scarcely necessary. For many years he hasranked as one of the leading pianists of distinguished graduate of the National Conser-vatory in Paris, he is now professor of the pianofortein that famous institution. In the United Stateshe is most widely known as a writer of extraordinaryand valuable technical works. Naturally, M. Philipp takes the viewpoint of allnoted thinkers on the subject of piano playing:there can be no satisfying interpretation of the greatworks until the performer is so fully a master oftechnic that his mind can freely assert itself in tone-production,
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