. International studio. y and cripts from nature, but each of them is infusedbest preserved of all the relics of early New York, and permeated with poetic feeling and artisticwhich was built in the year 1-58. insight. What bigness of feeling and grasp ot theThe Highbridge, done in 1917, is a direct freedom of earth and sky lie achieved in such and simple but fascinating presentment ofanother of New Yorks fine and characteristicmonumental structures. This beautiful plate typi- platesas the Fishermans Home—Block Isl;and the marvelous soft ground etchingRoad to the Sea—Speonk, Lon^ Isl fiesMielat
. International studio. y and cripts from nature, but each of them is infusedbest preserved of all the relics of early New York, and permeated with poetic feeling and artisticwhich was built in the year 1-58. insight. What bigness of feeling and grasp ot theThe Highbridge, done in 1917, is a direct freedom of earth and sky lie achieved in such and simple but fascinating presentment ofanother of New Yorks fine and characteristicmonumental structures. This beautiful plate typi- platesas the Fishermans Home—Block Isl;and the marvelous soft ground etchingRoad to the Sea—Speonk, Lon^ Isl fiesMielatzs feeling for essentials and a deepernote marvelous alike for its effect oi bu< underlying surface picturesqueness. Equally re- ness, breeziness, and its technical triumph markable, but in an altogether different vein, is a refractorj materials. What lyric lov< plate dated 191-, The Brides Door, St. Thomass transfixed in the Old Mill—Block Island, the JULY 1922 tuo mnely-sei i mceRtiAuonAL —^ ?. Trout Pond — Moorsficld, fisherman s home-block island streets and buildings, places FROM AN ETCHING BY C. F. W. MIELATZ , _ . the Long Island Woodpath, where historic interest has tlie Evening on the Caloosahatchie, and other long since been encroached upon or obliterated dry points—plates in which the richness and by the citys growth and change. One of the most subtlety of the dry point process are developed successful pictures in this series is the Balcony to an extraordinary degree. There are scores of in Pell Street, the exterior of a Chinese restaurant these lovely landscapes over which to linger. whose balcony is exquisite in color modulation, In his later years Mielatz had experimented with its panels of teak stained with the tender with remarkable success in the production of robins-egg blue beloved of the Celestial. The polychrome etchings by a method of his own Washington Square, No. 7 State Street, development, using a separate etched plate lor Ericssons H
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
