Architecture in Italy, from the sixth to the eleventh century; historical and critical researches . l*if;. 140.—Parapet of S. Mark of the PartecipazI, existing in the Gallery al)Ove tin; Altar of S. James— 829. have there described every one of them, and tliey have been allreproduced by phototype. I content myself here with groupingthem into three difterent classes which I describe m iikissc. Onecategory is composed of those which are covered with interlaced 19 290 rushes ov haskct-work. wlioso stnu-tuve recalls the species of theeighth century. Such is the parapet in two fragments whichma
Architecture in Italy, from the sixth to the eleventh century; historical and critical researches . l*if;. 140.—Parapet of S. Mark of the PartecipazI, existing in the Gallery al)Ove tin; Altar of S. James— 829. have there described every one of them, and tliey have been allreproduced by phototype. I content myself here with groupingthem into three difterent classes which I describe m iikissc. Onecategory is composed of those which are covered with interlaced 19 290 rushes ov haskct-work. wlioso stnu-tuve recalls the species of theeighth century. Such is the parapet in two fragments whichmay be seen in the vestibule of the basilica, and which is orna-. FiG. 141.—Parapet of S. Mark of the Partecipazi, existing along the littleAmbo Staircase— 829. mented with concentric foliage, often knotted together andenclosing a rose, reminding us very much of that of the sixthcentury in Eavenna, which we have seen on page 86. Such are
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