. The San Diego garden fair; personal impressions of the architecture, sculpture, horticulture, color scheme & other aesthetic aspects of the Panama California International Exposition . endered. Some day when age hasspread the harmonizing tone of amber over thesecool Bellows, they will rank as the great paint-ings of early twentieth century American even a casual investigation one feels quiteconsoled over the sudden departure from historicsentiment to modern matter of fact painting andthe subsequent necessity of taking up again thethread of older traditions. It is in a way refreshin
. The San Diego garden fair; personal impressions of the architecture, sculpture, horticulture, color scheme & other aesthetic aspects of the Panama California International Exposition . endered. Some day when age hasspread the harmonizing tone of amber over thesecool Bellows, they will rank as the great paint-ings of early twentieth century American even a casual investigation one feels quiteconsoled over the sudden departure from historicsentiment to modern matter of fact painting andthe subsequent necessity of taking up again thethread of older traditions. It is in a way refreshing and stimulating to bemomentarily interrupted thus, and moreover avisit to this gallery prepares one for the deci-dedly modern note which prevails in the upstairsquarters over the entire west side of the build-ing. After some introspective moments in theSerra chapel and much historic retrospect, I waskeyed up, having heard of the art gallery, to seea vast number of dignified pictures in hand-carved, gilded, or black frames, such as the fewin the chapel. My heart longed for endless darkand unintelligible tabasco-sauce-colored paint-ings of Church dignitaries. Conquerors, and [42].
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