Flower Pavilion, Dango Slope, Sendagi, No. 16 in One Hundred Famous Views of Edo Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Flower Pavilion, Dango Slope, Sendagi, No. 16 in One Hundred Famous Views of Edo, 5th month of 1856. Woodblock print, Image: 13 1/2 x 8 7/8 in. ( x cm). A bank of decorative clouds separates this print into two seemingly different worlds—a lofty, mountain like retreat and a familiar scene of cherry viewing along a pond or river. The identification of the upper scene is clear enough from the title: it is the Flower Pavilion, a former nurseryman's garden open
Flower Pavilion, Dango Slope, Sendagi, No. 16 in One Hundred Famous Views of Edo Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Flower Pavilion, Dango Slope, Sendagi, No. 16 in One Hundred Famous Views of Edo, 5th month of 1856. Woodblock print, Image: 13 1/2 x 8 7/8 in. ( x cm). A bank of decorative clouds separates this print into two seemingly different worlds—a lofty, mountain like retreat and a familiar scene of cherry viewing along a pond or river. The identification of the upper scene is clear enough from the title: it is the Flower Pavilion, a former nurseryman's garden opened to the public for seasonal flower viewing and described on an 1852 map as a "pavilion for all four seasons." Why did Hiroshige divide the scene? Perhaps he intended to show autumn above and spring below, emphasizing that the garden was indeed "for all four seasons." Asian Art 5th month of 1856
Size: 1832px × 2729px
Photo credit: © BBM / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ?
