. Florence and her treasures. of the risingsun. No. 79. Att. Raphael. Portrait of Pope Julius II. The skill of a Venetian artist, to whom we owe this finereplica of Raphaels masterpiece (Uffizi, No. 1131) hasgiven rise to an attribution upon which authoritative critics castsome doubt. The painting was brought to Florence withthe remainder of the Delia Rovere inheritance from of the most eminent members of a remarkable family,Giuliano della Rovere was born at Savona in 1453. He re-ceived the Cardinals hat in 1471 and was raised to thePontificate in 1503. His martial instincts, it is
. Florence and her treasures. of the risingsun. No. 79. Att. Raphael. Portrait of Pope Julius II. The skill of a Venetian artist, to whom we owe this finereplica of Raphaels masterpiece (Uffizi, No. 1131) hasgiven rise to an attribution upon which authoritative critics castsome doubt. The painting was brought to Florence withthe remainder of the Delia Rovere inheritance from of the most eminent members of a remarkable family,Giuliano della Rovere was born at Savona in 1453. He re-ceived the Cardinals hat in 1471 and was raised to thePontificate in 1503. His martial instincts, it is said, led himto take the name of Julius in memory of Julius Caesar. PopeJulius II died in 1513. He is commonly regarded as thetrue founder of the Temporal Power of the Roman Church. No. 176. Domenichino. The Magdalen. A somewhat theatrical, though finely coloured composition. No. 7. Franz Pourbus. Portrait of a Warrior. A spirited portrait. Note the care shown in the treatmentof detail. No. 8. IL Guercino. Apollo and
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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernew, booksubjectart
