. The art of the Italian renaissance; a handbook for students and travellers. i\ grief, she stretches out her arms and. ^[arc Antonios eiigraviiii after Itaiiliael. raising her eyes to the stars, she bowed lier liead and utteretl tliese words from herheart : Prevail, 0 faith, prevail, willing obedience ! Behold I am here ; I recei\e amiworship thy commands, Omni20otent Father, &c. - that all the lands miglit hear, wliich mightiest Ocean and Thetys and lioarse-sonnding Amphitrite encircle. 206 THE ART OF THE ITALIAN RENAISSANCE gazes upwards. ]{aphael has drawn her thus (engra\iiig by
. The art of the Italian renaissance; a handbook for students and travellers. i\ grief, she stretches out her arms and. ^[arc Antonios eiigraviiii after Itaiiliael. raising her eyes to the stars, she bowed lier liead and utteretl tliese words from herheart : Prevail, 0 faith, prevail, willing obedience ! Behold I am here ; I recei\e amiworship thy commands, Omni20otent Father, &c. - that all the lands miglit hear, wliich mightiest Ocean and Thetys and lioarse-sonnding Amphitrite encircle. 206 THE ART OF THE ITALIAN RENAISSANCE gazes upwards. ]{aphael has drawn her thus (engra\iiig by .Marc. Antonio).Fra Bartolonnneo makes her imprint a ([uiet passionless l<iss on the fore-head of a dead Christ who shows no trace of His recent sufferings. Michel-angelo, still greater and more restrained than the others, had already repre-sented the scene on these lines in the Pkta of his first visit to Rome. When, in the Visitation, ]\Iary and Elizalx-th, great with child, embraceeach other, it is the meeting of two tragedy queens, a slow, solemn, silentgreeting (Sebastiano del Piombo, ). We have
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