. International studio. MADONNA. FROM THE OIL PAINTINGBY VLASTIMIL HOFMANN studio- Talk screen will- linger long in the memory. AdolfLevier, Alfred Offner, and Maximilian Lenz werewell represented, as also Friedrich Konig, who sentthree portraits, all of ladies, including one of VeraSchapira, the well-known pianist, a work of refinedand delicateexecution. Among thenumerous1 an dscapeswere not afew of Harl-fingers lakescenes showedmarked pro-gress on hispreviouswork. One ofhis pictureshas been ac-quired by Haen-isch gaveproof of hispoetic andsensitive vi
. International studio. MADONNA. FROM THE OIL PAINTINGBY VLASTIMIL HOFMANN studio- Talk screen will- linger long in the memory. AdolfLevier, Alfred Offner, and Maximilian Lenz werewell represented, as also Friedrich Konig, who sentthree portraits, all of ladies, including one of VeraSchapira, the well-known pianist, a work of refinedand delicateexecution. Among thenumerous1 an dscapeswere not afew of Harl-fingers lakescenes showedmarked pro-gress on hispreviouswork. One ofhis pictureshas been ac-quired by Haen-isch gaveproof of hispoetic andsensitive vis-ion in somebits of oldVienna gar-dens; and thesame quali-ties were dis-cernible inAnton Nov-aks i)icturesof in an dSchmutzer, Vienna. F. Kruis has been spending some timein Holland, and the series of pictures he nowshowed proved him to be a sympathetic interpreterof Low Country themes. Of peculiar interest weresome paintings by F. Hohenberger, his subject being the coalwharves onthe N o r DECORATIVE PAINTING HV KARL VON EISENWERTH( Vienna Scicssion) Karl Eder-ers strongand vigorousanimal pic-tures and thecollection ofworks by theMunich artist,Leo P u t z,who had aroom to him-self, were wel-come Egger-Lienz, whohas secededfrom theKiinstlerhausexhibited sev-eral works,some of themost interest-ing of thembeing scenesin the life ofthe the reli-gious genrethe work ofFerdinandAndri alwayscommandsrespect, and who for the nonce has returned to painting, sent that which he exhibited on this occasion—a series three works, An Old Dutch Village being perhaps of paintings with the martyrs as their subjects, the best of them. Ernst Stohrs dreamy land- which are destined for a church in Vienna — scapes and old-world scenes revealed a true poetic lacked none of the qualities which are essential nature. Karl Schmoll von Esenwerth exhibited in a painter of such themes. A young English several works, among them the reproduced
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