American art and American art collections; essays on artistic subjects . CINDERELLA. ENGRAVED BY the Rosina Emmet. — From a Sketch by the Artist. 464 AMERICAN ART Blood Money (1872), after Victor Nehlig; and River Creek, after T. Moran, and On Long IslandSound, after M. F. H. de Haas (both in 1873). I think I have done no better work than are good cuts also by Bogert, Davis & Spier, and Quartley. Early work of Cole andJuengling will also be found in the Aldine. The drawings show the names of Thomas andPeter Moran, Woodward, J. S. Davis, Whittredge,
American art and American art collections; essays on artistic subjects . CINDERELLA. ENGRAVED BY the Rosina Emmet. — From a Sketch by the Artist. 464 AMERICAN ART Blood Money (1872), after Victor Nehlig; and River Creek, after T. Moran, and On Long IslandSound, after M. F. H. de Haas (both in 1873). I think I have done no better work than are good cuts also by Bogert, Davis & Spier, and Quartley. Early work of Cole andJuengling will also be found in the Aldine. The drawings show the names of Thomas andPeter Moran, Woodward, J. S. Davis, Whittredge, Casilear, De Haas, Hows, Hubbard, Nehlig,Laurie, McEntee, Homer D. Martin, Van Elten: a sufficient variety, not counting English,French, and German. The most numerous engravings are by French hands, Maurand andJonnard: Maurand for some years working in this country. Maurands landscapes are capital,daring, and with more drawing as well as decision than is usual in American or English engrav-ing; failing nowhere from the engravers lack of confidence in himself, but wanting grace andtenderness and respect for the
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Keywords: ., bookcentury1800, bookdecade18, booksubjectart, booksubjectartists
