. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. itation of the respec-tive instrument; it is well adapted for solos,rural scenes, etc. The @ is the octave of (2), and is well adaptedfor expressive pastoral scenes. The @ or Forte imparts more tonal volume tothe registers ® and ®. The (5) serves to bring all the registers into play simultaneously; through which the tonal-brilliancy of the church-organ can be imitated. The (g) imparts more expressive
. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. itation of the respec-tive instrument; it is well adapted for solos,rural scenes, etc. The @ is the octave of (2), and is well adaptedfor expressive pastoral scenes. The @ or Forte imparts more tonal volume tothe registers ® and ®. The (5) serves to bring all the registers into play simultaneously; through which the tonal-brilliancy of the church-organ can be imitated. The (g) imparts more expressiveness to thedifferent registers, offering the possibility ofperforming musical compositions with greatfeeling. @ possesses no independent quality of tone,only serving to weaken the tones of the Bass,which as a rule always sound much strongerthan the tones of the registers of the right the use of a special register is to be discon-tinued it is indicated with a little line throughthe figure d^JiJ etc. A table of notation for the Harmonium ispresented in the following example. TABLE OF NOTATION FOR THE HARMONIUM. ®® m im^ 5^ p^^ © ^:=^m^ gggg|:a§ 3i!:-5;?^::=|;:dT33rdK=r,i^^;tzg:. Combined with each other these various registers can produce the following effects: —For strong voluminous Registers or © and (o).For moderately strong playing. ® (D ® ® (D® or ® ® ® @ or ® ® ® @® or ® ® ® ® ® ® For soft, smooth playing. ® ® or GROUP II.—WIND INSTRUMEATS. ®® 171 ®®or® ® ® ® For Solo or Recitative. ® ® ® or® ® ® or® ® ® @ ®. Many more combinations are possible ; hereonly the principal ones have been mentioned. Compositions of slow tempo and religiouscharacter are best adapted for the Harmonium,illustrations of which are shown in the followingexamples : — THOU SHEPHERD ISRAELS. D. S. BORTNIANSKY. ® (^Adagio assai
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