Triptych, Adam Dircksz (workshop of), after Adam Dircksz, c. 1500 - c. 1530 House altar or travel altar of palmhout with cut performances. Middle part: Maria in Beamrome and Mandorla with the Christ child on the arm; On the open side wings on the left St. Barbara, St. Catharina on the right. The outside of the wings with on the left St. Christoffel and on the right St. Joris. Under Maria the text: Tota Pulchra Es Amica Mea. On the pedestal a relief by John the Evangelist and a Transenna. Two doors at the back. Northern Netherlands boxwood (hardwood) cutting House altar or travel altar of palmh
Triptych, Adam Dircksz (workshop of), after Adam Dircksz, c. 1500 - c. 1530 House altar or travel altar of palmhout with cut performances. Middle part: Maria in Beamrome and Mandorla with the Christ child on the arm; On the open side wings on the left St. Barbara, St. Catharina on the right. The outside of the wings with on the left St. Christoffel and on the right St. Joris. Under Maria the text: Tota Pulchra Es Amica Mea. On the pedestal a relief by John the Evangelist and a Transenna. Two doors at the back. Northern Netherlands boxwood (hardwood) cutting House altar or travel altar of palmhout with cut performances. Middle part: Maria in Beamrome and Mandorla with the Christ child on the arm; On the open side wings on the left St. Barbara, St. Catharina on the right. The outside of the wings with on the left St. Christoffel and on the right St. Joris. Under Maria the text: Tota Pulchra Es Amica Mea. On the pedestal a relief by John the Evangelist and a Transenna. Two doors at the back. Northern Netherlands boxwood (hardwood) cutting
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Photo credit: © piemags/rmn / Alamy / Afripics
License: Licensed
Model Released: No
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