Horseman’s Ax of Cardinal Ippolito de’ Medici (1511–1535) ca. 1530–35 Italian This elegantly proportioned and delicately ornamented ax probably served more as a symbol of authority than as a weapon for mounted warfare. The surfaces are etched and gilt with foliage on an obliquely hatched ground, in the manner of early-Italian ornamental prints. The ax blade is further decorated on one side with a shield enclosing the Medici arms and a Latin inscription around the edges BENIFICIVM ? DANDO ? ACCEPIT ? QVI ? DIGNO ? DEDIT (He who confers a benefit has received one if he has given it to a man wort
Horseman’s Ax of Cardinal Ippolito de’ Medici (1511–1535) ca. 1530–35 Italian This elegantly proportioned and delicately ornamented ax probably served more as a symbol of authority than as a weapon for mounted warfare. The surfaces are etched and gilt with foliage on an obliquely hatched ground, in the manner of early-Italian ornamental prints. The ax blade is further decorated on one side with a shield enclosing the Medici arms and a Latin inscription around the edges BENIFICIVM ? DANDO ? ACCEPIT ? QVI ? DIGNO ? DEDIT (He who confers a benefit has received one if he has given it to a man worthy of it), and on the other side with the device of an inflatable soccerlike ball and the inscription FALLENTI ? NON ? FACILE ? RVRSVS ? ADHIBENDA ? EST (Trust is not again to be placed easily in those who have once deceived). Although the inflatable ball was used as a personal badge by several members of the Medici family, here it most likely refers to Cardinal Ippolito de' Medici (1511–1535), a youthful prelate more at home in armor than his scarlet robes of office. In 1532 Ippolito commanded an expedition against the Turks in Hungary, an event immortalized in Titian's portrait in the Uffizi, Florence, in which the cardinal wears the exotic costume of a Hungarian soldier. This ax very likely accompanied Ippolito on that almost two centuries a large armory occupied a suite of galleries on the upper floor of the Uffizi, where the dynastic collections of the Medici rulers of Florence were displayed. The armory was seen by a steady stream of local and foreign visitors who marveled at harnesses worn by famous men, curious weapons of earlier times, and richly jeweled arms from the Orient. The Museum's ax undoubtedly entered the armory as a memento of Ippolito following his death, but it is only clearly identifiable in an inventory of the Medici armory in Florence in 1695, where it is described as having a wooden haft studded with brass nails with rosette head
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