. Studio, field, and gallery: a manual of painting for the student and amateur, with information for the general Eack Easel. Common Easel. with a catch underneath. The sketching easel is madeto fold. Some are arranged with many joints, but themore they have the more likely they are to be should be metal spikes in the legs to go into theground, as these prevent blowing over, etc. Sketchikg-Stools. — There are a variety of have the easel attached (we do not recommendthem). The one that is most serviceable and portablefor the sketcher is the club-stool, which folds
. Studio, field, and gallery: a manual of painting for the student and amateur, with information for the general Eack Easel. Common Easel. with a catch underneath. The sketching easel is madeto fold. Some are arranged with many joints, but themore they have the more likely they are to be should be metal spikes in the legs to go into theground, as these prevent blowing over, etc. Sketchikg-Stools. — There are a variety of have the easel attached (we do not recommendthem). The one that is most serviceable and portablefor the sketcher is the club-stool, which folds. The seatshould be of leather, but may be of other material. MATERIALS. 73 Umbrella.—Yerj good ones are now made, withlong jointed and pointed staff, to go into the color should be a light gray, to reflect the heat ofthe sun. Those with ribs about 28 inches long are largeenough for ordinary use. The young artist may impro-vise a sufficiently good sketching-umbrella from a com-mon old one, and a long, pointed wooden staff. Thetop of the latter and the handle of the umbrella maybe notched and bound tog
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Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1870, bookidstudi, booksubjectpainting
