Brooklyn Museum Quarterly . THE CATHEDRAL CLAUDE OSCAR MONET In the Retrospective Collection of French Art, 1870-1910, at the Brooklyn MuseumLent by the French Government. LITTLE GIRL WITH HER DOLL FERDINAND ROYBET Jn the Retrospective Collection of French Art, 1870-1910, at the Brooklyn MuseumLent by the French Government It naturally often follows that when the more radical,more 2^rogressive and more daring artist is in question, thenew man, so to S23eak, it is the less radical, less j^rogressiveand less daring of his pictures which achieve entry to theLuxembourg. A better INIanet, better Mo
Brooklyn Museum Quarterly . THE CATHEDRAL CLAUDE OSCAR MONET In the Retrospective Collection of French Art, 1870-1910, at the Brooklyn MuseumLent by the French Government. LITTLE GIRL WITH HER DOLL FERDINAND ROYBET Jn the Retrospective Collection of French Art, 1870-1910, at the Brooklyn MuseumLent by the French Government It naturally often follows that when the more radical,more 2^rogressive and more daring artist is in question, thenew man, so to S23eak, it is the less radical, less j^rogressiveand less daring of his pictures which achieve entry to theLuxembourg. A better INIanet, better Monets, and moreremarkable works of Degas and Cezanne have ])een seen inAmerica than those now in Brooklyn, but the Bonnats, theCarolus-Duran, the Baudry, the Cabanel, the Laurens, theDagnan-Bouveret, the Henners, the Ribot, the Detailleand the de Xeuvilles are equal to the best of their the special claim of the retrospective French exhibi-tion from the Luxembourg gallery to our attention lies inits revival of our memories and our respect for the Frenchacademic worthies and teachers of the last quarter of thenineteenth century. Its lesson appears to be main
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