A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century . BARNABA DA MODENA 211 Madonna with two votaries introduced by an angel, and the Crucifixion,once in the collection of Lord Wensleydale, and exhibited at altarpiece, divided into four compartments, bears the masters nameand is dated A more practised hand and broader style mark an altarpiece with half-lengths of the Virgin giving her breast to the Child, on a throne, behindwhich two angels support a tapestry, in San Giovanni Battista at Alba.^ That Barnaba lived a great p
A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century . BARNABA DA MODENA 211 Madonna with two votaries introduced by an angel, and the Crucifixion,once in the collection of Lord Wensleydale, and exhibited at altarpiece, divided into four compartments, bears the masters nameand is dated A more practised hand and broader style mark an altarpiece with half-lengths of the Virgin giving her breast to the Child, on a throne, behindwhich two angels support a tapestry, in San Giovanni Battista at Alba.^ That Barnaba lived a great part of his life in Piedmont isevident not only from pictures noticed in that State, but because,when the authorities of the Pisan Campo Santo sent for him, tocomplete the frescoes of San Eaineri, in 1380, their messenger wasdespatched to Genoa. Though Barnaba came to Pisa,^ he did notfinish the frescoes of San Eaineri.* But he painted two altar-pieces in San Prancesco, a third in the monastery of San Giovannidei Fieri, and a fourth in a small church at Eipoli four miles fromthe city. Of the two pi
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Keywords: ., book, bookcentury1900, bookdecade1900, booksubjectpaintingitalian
