Landscape and Calligraphy from the Album of Three Perfections Jiang Shijie (Chinese, 1647-1709). Landscape and Calligraphy from the Album of Three Perfections, late 17th century. Ink on folded double page, 11 x 17 1/2 in. ( x cm). In the inscription that fills the top of this album leaf, Jiang Shijie describes a painting by Huang Gongwang (1269–1354) that he had seen forty years before, citing it as the inspiration for his landscape. Jiang is commonly thought to be a follower of Ni Zan (1301–1374); his reference to Huang Gongwang, another leading master of the literati painting tradi


Landscape and Calligraphy from the Album of Three Perfections Jiang Shijie (Chinese, 1647-1709). Landscape and Calligraphy from the Album of Three Perfections, late 17th century. Ink on folded double page, 11 x 17 1/2 in. ( x cm). In the inscription that fills the top of this album leaf, Jiang Shijie describes a painting by Huang Gongwang (1269–1354) that he had seen forty years before, citing it as the inspiration for his landscape. Jiang is commonly thought to be a follower of Ni Zan (1301–1374); his reference to Huang Gongwang, another leading master of the literati painting tradition, reminds us that Qing dynasty artists drew on a variety of past styles. Asian Art late 17th century


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Photo credit: © BBM / Alamy / Afripics
License: Licensed
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