Programme . herasmin ( scene x). The horn of Oberon is heard again; it is answered bythe skipping fairy figure. The second theme (A major, sung first bythe clarinet, then by the first violins) is taken from the first measuresof the second part of Huons air (act No. 5). And then a themetaken from the peroration, presto con fuoco, of Rezias air, Ocean!Thou mighty monster (act ii., No. 13), is given as a conclusion tothe violins. This theme ends the first part of the overture. The free The Imperial Edition of Song Books Unquestionably the finest collection of highest class Popular, Sta
Programme . herasmin ( scene x). The horn of Oberon is heard again; it is answered bythe skipping fairy figure. The second theme (A major, sung first bythe clarinet, then by the first violins) is taken from the first measuresof the second part of Huons air (act No. 5). And then a themetaken from the peroration, presto con fuoco, of Rezias air, Ocean!Thou mighty monster (act ii., No. 13), is given as a conclusion tothe violins. This theme ends the first part of the overture. The free The Imperial Edition of Song Books Unquestionably the finest collection of highest class Popular, Standard, and Classical Songs, with original text and English translation. SOPRANO ALBUM, 42 Songs TENOR ALBUM, 43 Songs MEZZO ALBUM, 46 Songs BARITONE ALBUM, 46 Songs CONTRALTO ALBUM, 49 Songs BASS SONGS, 43 Songs Price, $ each, paper cover,or handsomely bound in limp cover, gilt edges, $ LIST OF CONTENTS FREE ON APPLICATION TO YOUR DEALER orBOOSEY & COMPA/NY, 9 East 17th Street, New YorkCit«| 327. 256 Boylston Street, Boston Invite inspection of their splendid display ofMODELS of imported and original design TAILOR STREET and CARRIAGE GOWNS and COATS and RIDING HABITS VISITING GOWNS DINNER AND EVENING DRESSES LACE WAISTS, Etc From which copies may be ordered at reasonable prices 328 fantasia begins with soft repeated chords in bassoons, horns, drums,basses. The first theme is worked out in short periods; a new themeis introduced and treated in fugato against a running contrapuntalcounter-theme in the strings. The second theme is treated, but notelaborately; and then the Rezia motive brings the spirited the first performance of the opera the overture was repeated. * * * The story of Oberon was founded by J. R. Planch6 on WielandsOberon, which in turn was derived from an old French romance,Huon de Bordeaux. As much fault has been found with the libretto,and several have endeavored to tinker the opera, the remarks of Planchehimself are of interest. They may be found
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
