Modern harmony, its explanation and application . li/.,j^-fj^ii!f#^ WAGNER, , Act III. Jirtrii^i^ Orch. Jff. In some ways, the tonal scale is included in the semi-tonal, and its explanation as an arpeggio in the normal scaleTonal Scale °^ twelve Semitones is probably one of the richestincluded in seams yet remaining to be worked. Where is theDuodecuple. composer who will do for it all the tremendousthings done with the diminished seventh chord by J. S. Bach ?Of course, false relations cannot exist in this system, and thefollowing example, which is a good illustration of
Modern harmony, its explanation and application . li/.,j^-fj^ii!f#^ WAGNER, , Act III. Jirtrii^i^ Orch. Jff. In some ways, the tonal scale is included in the semi-tonal, and its explanation as an arpeggio in the normal scaleTonal Scale °^ twelve Semitones is probably one of the richestincluded in seams yet remaining to be worked. Where is theDuodecuple. composer who will do for it all the tremendousthings done with the diminished seventh chord by J. S. Bach ?Of course, false relations cannot exist in this system, and thefollowing example, which is a good illustration of the realsequencing previously alluded to, must be accepted withoutreserve in this respect:— THE DUODECUPLE {OR TWELVE-NOTE) SCALE 49 N. TSCHEREPNINENarcisse. Allegro assai. 31 ^m £ <aick.)ff #» S ^^ ^
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectharmony, bookyear1915
