Campania Salerno Padula Monastery of S. Lorenzo. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and
Campania Salerno Padula Monastery of S. Lorenzo. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and landscaping. There are views of the cloister, the fountain, and the loggia. There are views of the colonnade, the floor, and frescoes. There are general views of the cloister, the fountain, and the columns. There are interior views of the church altar, the valuted, frescoed ceiling, and comprehensive coverage of the two choir stalls. There are exterior views of the carved wooden door. There are general views of the kitchen, with specific views fo the ovens and stove. Views are of the refectory floor, walls, ceiling and architectural details. View of length of the room; view of altar. Antiquities: Tombstones, sculpture, capitals, columns, reliefs General Notes: Cappella del Fondatore; Cappella del Tesoro; Cella dei Priori, Cappella di S. Michele; Cella dei Priori, Loggia; Chapter house; Chiostro dei Procuratori; Chiostro del Cimitero Antico; Chiostro della Foresteria; Chiostro delle Cucine; Chiostro Grande; Church; Kitchen; Refectory; Sacristy. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geog
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