. The life and Epistles of St. Paul. riio circular rows of llie benches are seon in the c^-iitre of the pbite, with tlie main passage to them ninnins up themiddle. The masses of masonry bilow, on the right and left, are the I)ut-ends of the semicircular theatre, and are theremains of the proscenium. ThehiU at the b;ick is part of Mount Coressus, the theatre itself occupying the south-wpsternfoot of the Fig. 159.— Ground plan of the great theatre at Ephesus. From Pococke. B. The area. C. Section showing the arches by which the circular seats were supported. G. Rows of seats at the top of
. The life and Epistles of St. Paul. riio circular rows of llie benches are seon in the c^-iitre of the pbite, with tlie main passage to them ninnins up themiddle. The masses of masonry bilow, on the right and left, are the I)ut-ends of the semicircular theatre, and are theremains of the proscenium. ThehiU at the b;ick is part of Mount Coressus, the theatre itself occupying the south-wpsternfoot of the Fig. 159.— Ground plan of the great theatre at Ephesus. From Pococke. B. The area. C. Section showing the arches by which the circular seats were supported. G. Rows of seats at the top of the theatre, and separated by a corridor from the seats below. Chap. X[II.] DESCRIPTION OF EPHESOS. [ 54] 329 tion. So completely has the candlestick been removed out of its place, that not aliving soul resides within the walls. The beasts of the field and the birds of the air
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