The Crucifixion with Donors and Saints Peter and Margaret ca. 1525–27 Cornelis Engebrechtsz Netherlandish Engebrechtsz was the leading painter in Leiden in the early sixteenth century. In this strikingly symmetrical Crucifixion, piety and dramatic energy are combined, and emotional effect is pushed to an extreme. The figure of Christ is isolated against the darkened sky; his tormented, lifeless body is flanked on either side by the crucified thieves, whose forms are contorted in agony. While the mourning Virgin echoes the posture of her son, indicating her empathic suffering, Saint John gazes
The Crucifixion with Donors and Saints Peter and Margaret ca. 1525–27 Cornelis Engebrechtsz Netherlandish Engebrechtsz was the leading painter in Leiden in the early sixteenth century. In this strikingly symmetrical Crucifixion, piety and dramatic energy are combined, and emotional effect is pushed to an extreme. The figure of Christ is isolated against the darkened sky; his tormented, lifeless body is flanked on either side by the crucified thieves, whose forms are contorted in agony. While the mourning Virgin echoes the posture of her son, indicating her empathic suffering, Saint John gazes up in grief at Christ. The two unidentified donors, probably husband and wife, are physically close to but psychologically detached from the The Crucifixion with Donors and Saints Peter and Margaret 436271
Size: 3811px × 2906px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
Keywords:
