Transfer printing on enamels, porcelain and pottery : its origin and development in the United Kingdom . Fig. C19. PLATE IRONSTONE-CHINA, BLUE Fig. C 20. DISH, IRONSTONE-CHINA, BLUE PRINTMason. The Plates in C Section are to illustrate some of the work of the Staffordshire Pottersin Transfer Printing. i TRANSFER PRINTING on Enamels^ Porcelain and Pottery. THE BAT PRINT. HE foregoing pages have been taken up almost entirely in discussing the transfer print question from the point of line engraving, excepting,incidentally, when the bat print was , it would be well
Transfer printing on enamels, porcelain and pottery : its origin and development in the United Kingdom . Fig. C19. PLATE IRONSTONE-CHINA, BLUE Fig. C 20. DISH, IRONSTONE-CHINA, BLUE PRINTMason. The Plates in C Section are to illustrate some of the work of the Staffordshire Pottersin Transfer Printing. i TRANSFER PRINTING on Enamels^ Porcelain and Pottery. THE BAT PRINT. HE foregoing pages have been taken up almost entirely in discussing the transfer print question from the point of line engraving, excepting,incidentally, when the bat print was , it would be well to devote a few pages to itmore exclusively. Unfortunately we have very littleinformation about it in our ceramic literature. One of the most informing passages, perhaps, isthat by Mr. R. W. Binns, in his Century of Potting (1877). It is also one of the earliest. Mr. C. , also, has a capital description of the process in The Story of the Potter (1901). Mr. R. W. Binnssays :—The plate was stippled with a fine point byLondon artists, after designs by Cipriani, AngelicaKaufmann, Cosway, and the engravings of Bartolozzi;or, with landscapes, shel
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Keywords: ., bookcentury1900, bookdecade1900, bookpublisherlondonchapmanandha
