. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. FIG. 174.—HOUSES AT MORLAIX, page 323. which is necessary for support, there is danger that theform will appear emphasized at the expense of the con-. 326 PAINTING, SCULPTURE, AND ARCHITECTURE. structive idea, and, of course, this effect, if produced, will beas detrimental as would be the contrary. Notice a furthercomment on this building on page 348. The explanationof the influence of representative constructive methods isthat they impart a sense of satisfaction and repose byseeming
. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. FIG. 174.—HOUSES AT MORLAIX, page 323. which is necessary for support, there is danger that theform will appear emphasized at the expense of the con-. 326 PAINTING, SCULPTURE, AND ARCHITECTURE. structive idea, and, of course, this effect, if produced, will beas detrimental as would be the contrary. Notice a furthercomment on this building on page 348. The explanationof the influence of representative constructive methods isthat they impart a sense of satisfaction and repose byseeming to reveal the reasons why they are used. Forinstance, the impression conveyed by large stone pillarslike those in Fig. 177, page 327, could be greatly improved,
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