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The art of anaesthesia . zo < orO _i Q-X So? z 0 ho Id c D If)111 0 -1 j _l < < z z h 7 <n o uj Q z CO< MM INDUCTIONj10. MAINTAINANCE30 RECOVERY30 Fig. 40— Curve showing variable and constant maintenance; constant maintenance shownby dotted line, variable by solid. The anaesthetist should know something of the relative sen-sitiveness of the various tissues. He should know that theskin and the peritoneum react much more energeticallythan the muscle and bone tissues. With this knowledge, hewill not be surprised in an operation for inguinal hernia,for example, to find the patient,
The art of anaesthesia . zo < orO _i Q-X So? z 0 ho Id c D If)111 0 -1 j _l < < z z h 7 <n o uj Q z CO< MM INDUCTIONj10. MAINTAINANCE30 RECOVERY30 Fig. 40— Curve showing variable and constant maintenance; constant maintenance shownby dotted line, variable by solid. The anaesthetist should know something of the relative sen-sitiveness of the various tissues. He should know that theskin and the peritoneum react much more energeticallythan the muscle and bone tissues. With this knowledge, hewill not be surprised in an operation for inguinal hernia,for example, to find the patient, who is going along peace-fully enough through the dissection of the involved mus-cles, suddenly come out of the anaesthesia when traction is 62 ANAESTHESIA made upon the hernial sac, whose formation, it will be re-membered, is peritoneal. If we were jjositive that the amount of ether made nodifference, from a pathological point of view, and if we weresure that a deep anesthesia afforded an absolute nerveblock, it would be very poor technic to use any method butthat which will give a constant level. In view of the presenttheorie
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectanesthe, bookyear1919