Organ-stops and their artistic registration : names, forms, construction, tonalities, and offices in scientific combination . Fig. ii and upper lips, shown in the Section, closely resemble those of theusual metal Diapason. The principal feature here is the recessedand splayed cap A, which is brought almost to a sharp edge where itforms the lower lip, in this respect resembling the metal lip. Theupper lip is thin and cut thin, as shown. As regards scale, the mostimportant dimensions are those of the BB pipe which immediatelyadjoins the tenor C metal pipe. The tenor C pipe is 3^ inches indiamete
Organ-stops and their artistic registration : names, forms, construction, tonalities, and offices in scientific combination . Fig. ii and upper lips, shown in the Section, closely resemble those of theusual metal Diapason. The principal feature here is the recessedand splayed cap A, which is brought almost to a sharp edge where itforms the lower lip, in this respect resembling the metal lip. Theupper lip is thin and cut thin, as shown. As regards scale, the mostimportant dimensions are those of the BB pipe which immediatelyadjoins the tenor C metal pipe. The tenor C pipe is 3^ inches indiameter, with a mouth 3 inches wide and z/i inch high, and with awind-hole in the foot ye inch in diameter. The BB wood pipemeasures, internally, 2yf inches in width by $% inches in depth,with a mouth 7/s inch high. In the same Organ, the Sub-Principal,16 ft., has its two lower octaves of wood; and the Minor Principal,8 ft. , in the Choir Organ, has its bass octave of wood. All are speci-mens of artistic voicing. THEIR ARTISTIC REGISTRATION 95 Both the Diapason, 16 ft., and Double Diapason^ 32 ft., of the Pedal Organ are comm
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Keywords: ., bookcentury1900, bookdecade1920, booksubjectorganmu, bookyear1921
