The antique Greek dance, after sculptured and painted figures . on the secondpart of it being doubled in speed and in the number of turns. Pirouette in Arabesque, in which the free leg is extended in theArabesque. Pirouette in Arabesque, finishing in the Attitude. In which theleg passes from the Arabesque to the Attitude. Pirouette in II finishing in the Attitude. During the rotation thefree leg passes from the II to the Attitude. DESCRIPTION OF SOME OF THE TEMPOS AND STEPS 14-1 Pirouette with small Battements on the instep. During the rota-tion, the free leg executes several small strikes on
The antique Greek dance, after sculptured and painted figures . on the secondpart of it being doubled in speed and in the number of turns. Pirouette in Arabesque, in which the free leg is extended in theArabesque. Pirouette in Arabesque, finishing in the Attitude. In which theleg passes from the Arabesque to the Attitude. Pirouette in II finishing in the Attitude. During the rotation thefree leg passes from the II to the Attitude. DESCRIPTION OF SOME OF THE TEMPOS AND STEPS 14-1 Pirouette with small Battements on the instep. During the rota-tion, the free leg executes several small strikes on the instep (). Pirouette with small Circles with the Leg. During the rotation,the free leg executes many small circles (193). Pirouette backward. Always executed inward, and is character-ized by backward bending movements. It takes on a great numberof forms. These are a few of the variations on the theme of the Pirouette. 264. In the language of dancers, the word Pirouette always car-ries the idea that one leg supports the body on the toe or the half-.
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Keywords: ., bookcentury1900, bookdecade1910, bookpublisherl, booksubjectdance
