Women in a Palace late 17th century China In China, images of a romanticized world, where elegant women spend their time dancing and playing music, often have historical overtones. Many such scenes are thought to allude to the richness of court life during the Han dynasty (206 – 220), an endless source for the antiquarian interests of the seventeenth century. Some also illustrate the tragic story of the beautiful Wang Zhaojun, who was sent by Emperor Yuan (reigned 75–33 ) to marry a Xiongnu chieftain in an attempt to pacify these powerful barbarians. Although this screen does not s
Women in a Palace late 17th century China In China, images of a romanticized world, where elegant women spend their time dancing and playing music, often have historical overtones. Many such scenes are thought to allude to the richness of court life during the Han dynasty (206 – 220), an endless source for the antiquarian interests of the seventeenth century. Some also illustrate the tragic story of the beautiful Wang Zhaojun, who was sent by Emperor Yuan (reigned 75–33 ) to marry a Xiongnu chieftain in an attempt to pacify these powerful barbarians. Although this screen does not show the standard scene of a painter rendering her image, it is interesting to note that a single horse is depicted standing beneath a willow tree in the center. This animal may represent Wang’s imminent departure from her safe, and luxurious, life at the court to the less sheltered world of the grasslands in the distant north. Listen to experts illuminate this artwork's story Listen Play or pause #7406. Spring Morning at the Palace of the Han Emperors Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as Women in a Palace 57821
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Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
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