History of art . Masayoshi (1761-1824). Page of analbum. {H. Vever Collection.). SosEN (1747-1821). Monkeys, painting. {H. Vever Collection.) 148 MEDIEVAL ART Chinese. Itshio (1611-1724) struggled joyously againstthe Buddhist gods and was the first to go out amongthe peasants. Korin could drink at all the sources,break the fixed traditions to get back to the livingtradition, and bind the new presentiments with theancient realizations. As a draftsman, he covered his albums with thosepowerful silhouettes, each one of which specificallyincloses, in a swift line, the whole signification of theobje
History of art . Masayoshi (1761-1824). Page of analbum. {H. Vever Collection.). SosEN (1747-1821). Monkeys, painting. {H. Vever Collection.) 148 MEDIEVAL ART Chinese. Itshio (1611-1724) struggled joyously againstthe Buddhist gods and was the first to go out amongthe peasants. Korin could drink at all the sources,break the fixed traditions to get back to the livingtradition, and bind the new presentiments with theancient realizations. As a draftsman, he covered his albums with thosepowerful silhouettes, each one of which specificallyincloses, in a swift line, the whole signification of theobject synthesized, and, beyond the object, all theechoes that it awakens in the universe that we a lacquerer, he seems to do no less than reinvent anart which, for ten centuries, passed as the really na-tional expression of the Japanese genius; he brought tofruition within himself the mind of the great lacquererKoetsu (1557-1637), and created the great lacquererRitsuo.^ His brother Kenzan (1663-1743), with Ninsei,the most powerful of Japanese ceramists, the manwho coul
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Keywords: ., boo, bookcentury1900, bookdecade1920, booksubjectart, bookyear1921
