. Programme. a frenzy indistinctly sketched by the pizzicati of double-basses, then transports sounding forth the full hysteria of an the graces and languors of Carpeaux is opposed an implied anguishwith some Prudhomme exclaiming: We dance on a volcano. Thereis a certain threatening in this bacchanale, a drunkenness, as it were,warning itself of its decay, perhaps by the dissonances and shock oftimbres, especially the repeated combinations in which the stringsgrate against the brass. We are indebted to Mr. Alfredo Casella, the celebrated composerand pianist, for the following informat
. Programme. a frenzy indistinctly sketched by the pizzicati of double-basses, then transports sounding forth the full hysteria of an the graces and languors of Carpeaux is opposed an implied anguishwith some Prudhomme exclaiming: We dance on a volcano. Thereis a certain threatening in this bacchanale, a drunkenness, as it were,warning itself of its decay, perhaps by the dissonances and shock oftimbres, especially the repeated combinations in which the stringsgrate against the brass. We are indebted to Mr. Alfredo Casella, the celebrated composerand pianist, for the following information. The Waltz was sketched by Ravel during the war and completedin 1920. The themes employed are of the Viennese nature. TheWaltz was composed with the thought of a dance-production, butRavel had no exact idea of a choregraphic production. In November,1920, Ravel and Mr. Casella played an arrangement for two piano-fortes at a concert of the Schoenberg-Musikverein in Vienna. The poem is a sort of triptych:—. Luncheon 11-3 Afternoon Tea 160 Tremont Street Over Moscleya Between \Ve9t and BoylstonStreets
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
