International studio . OSBORNE, FIRST EAKI. Ol DANItV AND FIRST DUKE OK LEEDS (l()JI-17I2) IIY S. COOIEK painting returns to an old ideal. Much of the])urity of effect of the Milliard and Olivermethod was developed from the art of medievalliturgical missals in which the brightness of stainedglass had been the ideal. How far this more thannatural brilliance of colour served the true ends ofsuch matter-of-fact jjortraiture as that practised bythe successors of Petitot is a question. Tlic artof the miniature as we have it with Petitot wassoon extended to snuffboxes, patch-boxes
International studio . OSBORNE, FIRST EAKI. Ol DANItV AND FIRST DUKE OK LEEDS (l()JI-17I2) IIY S. COOIEK painting returns to an old ideal. Much of the])urity of effect of the Milliard and Olivermethod was developed from the art of medievalliturgical missals in which the brightness of stainedglass had been the ideal. How far this more thannatural brilliance of colour served the true ends ofsuch matter-of-fact jjortraiture as that practised bythe successors of Petitot is a question. Tlic artof the miniature as we have it with Petitot wassoon extended to snuffboxes, patch-boxes andfan-sticks ; passing in this fashion from portraitureto little subject-pictures, and finally to in these days were often painters74. JOHN EVELYN (162O-I70O)HY A CONTEMPORARY ARTIST because it was deliglitful : its subject next engagedhis thouglit, and thought aroused sentiments—here
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
