Illustrated notes upon the pictures in the Dramatic Fine Art Gallery, 1880. . careful work. 34, Sheep, is a marvellously faithful copy ofthe style and manner of Verboeckhoven, and 107, A Seaport9after Kuwassyg, is exceedingly clever. 111, A Sketch, is pre-sumably not a copy ; though it is but small, it shows that theartist has a reserve of talent which she would do well tocultivate. In the Bust of my Father, from memory, centrestand, much skill in modelling is manifested. 39 WELLSBOURNE, Mrs. R. W. On Screen, A Landscape with Cattle, and 64, H. T. Craven,in his own drama of Milky White, are of
Illustrated notes upon the pictures in the Dramatic Fine Art Gallery, 1880. . careful work. 34, Sheep, is a marvellously faithful copy ofthe style and manner of Verboeckhoven, and 107, A Seaport9after Kuwassyg, is exceedingly clever. 111, A Sketch, is pre-sumably not a copy ; though it is but small, it shows that theartist has a reserve of talent which she would do well tocultivate. In the Bust of my Father, from memory, centrestand, much skill in modelling is manifested. 39 WELLSBOURNE, Mrs. R. W. On Screen, A Landscape with Cattle, and 64, H. T. Craven,in his own drama of Milky White, are of such a high orderof merit as to lead us to believe that this lady has devoted con-siderable time to painting. Both pictures can hold their own. in the separate branches of art—landscape and characterpainting In The Landscape with Cattle the perspective isexcellent, and the cattle and water excellent. The portraitof Mr. Craven is very clever, and in style reminds one of Nicol. It is a clever and careful piece of work.
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Keywords: ., bookcentury1800, bookdecade1880, booki, booksubjectdrawingbritish
