Horse bit cheekpiece in form of a horse and rider ca. 900-750 Iran Starting around 1930 large quantities of bronze artifacts came on the antiquities market. These artifacts are characterized by a unity of style and type, and have been attributed to Luristan, a mountainous region in western Iran. This is little evidence to support this attribution, but the term ‘Luristan bronze’ is now well-known and widely used as a shorthand for this idiosyncratic corpus of cast bronze cheekpiece was originally part of a bridle for a horse, and it has loops affixed to it through which the re

Horse bit cheekpiece in form of a horse and rider ca. 900-750 Iran Starting around 1930 large quantities of bronze artifacts came on the antiquities market. These artifacts are characterized by a unity of style and type, and have been attributed to Luristan, a mountainous region in western Iran. This is little evidence to support this attribution, but the term ‘Luristan bronze’ is now well-known and widely used as a shorthand for this idiosyncratic corpus of cast bronze cheekpiece was originally part of a bridle for a horse, and it has loops affixed to it through which the reins would have passed. It depicts a rider mounted on a horse in the round. The horse’s shoulders and hindquarters are modeled, and its knees and ankles are indicated with raised lumps. All four legs are individually modeled, and a small penis is visible between the hind legs. The hooves are marked with incised lines. The horse’s tail is rendered as a cylindrical tube that connects to the groundline. The mane is a raised ridge along the back of the horse’s neck, which meets the ring on top of its head; a forelock protrudes from the front. Two ears in the shape of cones emerge from the sides of the horse’s head; its eyes are represented as raised dots. Its muzzle is rectangular, and the mouthpiece and sidebars of the bridle are visible. Braided reins run from the bridle to the mane, where they are held by the rider. The horse stands on a narrow groundline with perpendicular crossbars to support its rider, whose gender is not clearly signaled, is small in proportion to the horse. He has a tall head, out of proportion with the rest of his body and seemingly wrapped in a turban. He has a sloping nose and curls of hair protrude from under his turban. His left arm is raised to hold the reins, and his right is at his side with the elbow size and elaborateness of this cheekpiece suggest it was not used on a daily basis, and was probably reserved for speci

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