Modern harmony, its explanation and application . -e-^. ^ ^ l^^ te It is but a step onwards, from one melodic line against a harmonic stream, to consecutive streams of harmony, as in ^^^ Examples 299 and 300. In Example 299 there is Harmonic Contrary motion of the horns against a free bass. Streams. ^^^^ ^ diminution of the subject on the woodwind. The horizontal listening, together with the spacing of the parts and the assistance of the contrasted tone-colours, would atone adequately for any momentary clashing of the shorter notes. Tone-colouragain would play an important part in such a passa
Modern harmony, its explanation and application . -e-^. ^ ^ l^^ te It is but a step onwards, from one melodic line against a harmonic stream, to consecutive streams of harmony, as in ^^^ Examples 299 and 300. In Example 299 there is Harmonic Contrary motion of the horns against a free bass. Streams. ^^^^ ^ diminution of the subject on the woodwind. The horizontal listening, together with the spacing of the parts and the assistance of the contrasted tone-colours, would atone adequately for any momentary clashing of the shorter notes. Tone-colouragain would play an important part in such a passage as that in Example 300, where diminution of outline in the treble is present at the same time as augmentation in the bass, together with the direct form in the inner strings. 136 MODERN HARMONY Ex. 299. FlvPicc. Andante maestoso, ^ Ex. 300. ii !i iTT E I %
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectharmony, bookyear1915
