. Studio international . Studio-Talk. ABENDGOLD BY EDMUND STEPPES(Copyright, Fritz Hoefle Augsburg) those who surrounded Courbetwhen the latter appeared at theMunich International Exhibitionin 1869 and declaimed againstfalse historical composition, whiledemanding truth and observationof real life. By observation ofFrench art Szinyei was led toabandon the brown vision ; hiscolouring became clearer, and hisgenre studies showed close obser-vation of life. Chance made hima studio-neighbour of Bocklins,whose influence was added to thatof Courbet. By strict study ofnature, Szinyei reached the plein-
. Studio international . Studio-Talk. ABENDGOLD BY EDMUND STEPPES(Copyright, Fritz Hoefle Augsburg) those who surrounded Courbetwhen the latter appeared at theMunich International Exhibitionin 1869 and declaimed againstfalse historical composition, whiledemanding truth and observationof real life. By observation ofFrench art Szinyei was led toabandon the brown vision ; hiscolouring became clearer, and hisgenre studies showed close obser-vation of life. Chance made hima studio-neighbour of Bocklins,whose influence was added to thatof Courbet. By strict study ofnature, Szinyei reached the plein-a:t problem, which he solved byhis Picnic, finished in T873, tnusanticipating Manet. The coloureffect and the novelty of the com-position excited disapprobation ; the breeze or by the soughing ofthe winds. There is a feeling ofrest and repose in his pictures,well exemplified in Abendgold, apicture full of charm and fancy,where the slender trees seem totouch the blue heavens and minglewith their hues. Above all, thereis depth of thoug
Size: 1653px × 1512px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
