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. Analysis and interpretation of eighteen violin compositions . Ada Elizabeth Taylor Chicago, May 15, 1911. TABLE OF CONTENTS. The Art of Paganini Bernhard Listemann 11 The Early Training- of the Analytical and Interpretive Ability, and Studies Adopted to This End Franz C. Bornschein 19 General Principles of Interpretation Otto Meyer A David Study in the Seventh Position Mayer Wetherill 29 Wieniavi^skis Kajaw^iak Heinrich Hoevel 31 Tonal and Breath Effects on the Violin Arturo Tibaldi 32 Tartinis G Minor Sonata Herbert Butler 35 En Bateau, Claude Achille Debussy Frederick Grover 39 Mendels
. Analysis and interpretation of eighteen violin compositions . Ada Elizabeth Taylor Chicago, May 15, 1911. TABLE OF CONTENTS. The Art of Paganini Bernhard Listemann 11 The Early Training- of the Analytical and Interpretive Ability, and Studies Adopted to This End Franz C. Bornschein 19 General Principles of Interpretation Otto Meyer A David Study in the Seventh Position Mayer Wetherill 29 Wieniavi^skis Kajaw^iak Heinrich Hoevel 31 Tonal and Breath Effects on the Violin Arturo Tibaldi 32 Tartinis G Minor Sonata Herbert Butler 35 En Bateau, Claude Achille Debussy Frederick Grover 39 Mendelssohns Spring Song E. Bruce Knowlton 41 Gavotte—Franz Joseph Gossec Ruthyn Turney 45 Chant Saris Paroles, Op. 2, No. 3, P. Tschaikowsky Winfred R. Colton 49 Bachs First Sonata for Violin Alone Guy VVoodard 53 Liberty and License in Interpretation—Adoration, Borowski. .Otto K. Schill 56 Humoreske, Dvorak Gaylord Yost 61 Legende, Carl Bohm Margaret De Long Tearse 62 Mazurka di Concert, Ovide Musin J. Willard Swihart 65 Gavotte in D, Handel Johann M. Blose 67. Bernhard Listemann The Art of Paganini by Bernhard Listemann A short historical note about the predecessors of Paganini, and the artthey developed and cultivated, will enable us to recognize more clearly thefoundation on which Paganini stands, and also the possibilities for reformsand inventions which those many distinguished men had put within hisreach. The first man in history who raised the violin to a real solo instrument,and composed works which are still appreciated by the music connoisseursof our time, is Arcangelo Corelli (1653-1713). Equally distinguished asviolinist, composer and art philosopher, he could not fail to give a mightyimpulse to the violinists and musicians of his time and to indirectly createa school, from which sprang forth men like Veracini, Laurenti, Clari, Vitali,Perelli, Ciampi, Visconti, Giacopino, Alberti, Albioni, Vivaldi, Locatelli,Tartini, Geminiani, Somis (this latter becoming the founder
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Keywords: ., bo, bookcentury1900, bookdecade1910, bookidanalysisinterpre00chic